FCN
EDITORIAL
July 16, 2002
A big voice weighs in on old problem
(FinalCall.com) ---The
"King of Pop" music is saying something that Black artists have been
saying for years: "The record companies really, really do conspire
against the artists. They steal, they cheat, they do whatever they can.
Especially against the Black artists."
For Michael Jackson to say something like that, and to drive in an
open top bus through the Black community with the Rev. Al Sharpton, the
situation must really be serious. In addition, Jackson launched a
personal attack on Sony chairman Tommy Mottola, calling him "mean,
racist, and very, very devilish."
Jackson told a crowd of supporters in Harlem July 6 that Mottola
referred to one of Sony�s artists as "a fat Black nigger." Mottola is
the ex-husband of Mariah Carey, and reports did not say whether he
confirmed or denies the statement.
Some observers say Mike is lashing out because he�s getting fidgety
about dwindling revenues and is afraid that Sony execs will require him
to repay some of the $25 million they sank into his "Invinsible"
album project. The album only sold 2 million copies in the United
States, a number far below expectations. Sony officials called Jackson�s
statements "ludicrous, spiteful and hurtful."
Jackson, on the other hand, said Sony failed to properly promote the
"Invincible" album.
Jackson�s representatives have expressed concerns that Sony may try
to force the singer to give up his rights to the catalog of music he
owns with Sony in exchange for the money he is said to owe. Jackson and
Sony entered a joint venture in 1995 when he combined his catalog of
copyrighted music with Sony�s, including songs he owns by the Beatles.
Whether or not Jackson�s motives for coming out on the issue are
personal, his statements about the industry railroading Black
entertainers are true. The recording industry graveyard is full of the
bones of Blacks whose talents were ripped off by White performers like
Elvis Presley or performers who were tricked by scheming execs and
lawyers to sign contracts that ultimately gave away any fortune that
they would earn.
That�s one reason the community should salute and encourage the
entrepreneurial spirit of hip hop artists who have formed their own
labels and those who sold their own CDs out of the trunks of their cars
to get started. At least the execs won�t get all the money in the end.
But it�s also sad that Jackson had to get himself into such a fix in
order to come home. When was the last time we�ve seen our brother expose
himself to the Black public in the hands-on way that he did with Rev.
Sharpton?
Those grassroots and national activists who boldly stand up and
challenge the status quo for justice on a daily basis are often given
the cold shoulder by Blacks in high places who think they have made it.
It was the money of Black consumers that gave Jackson and his brothers
their start, just as it is always the efforts of the masses that give
our stars their boost.
Unfortunately, sometimes the higher the stars get, the smaller the
masses look. It�s only when they are on their way back down that the
masses appear larger again, and the stars get their priorities straight.
The industry and many Black entertainers are discounting Jackson�s
personal attacks against Mottola. That�s a subject for debate. There
hasn�t been much debate on whether or not the industry has robbed Black
artists.
Perhaps there are some things that are beyond dispute in this debate.
FinalCall.com
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